Photography by Dan Edwards
A former winner of the Foyle Young Poets of the Year Awards, Maddie has since been published as a regular and guest writer in a number of publications, writing articles, poetry and interviewing guests.
Her most recent projects include her debut poetry pamphlet, adulting, which is due to be released in Autumn 2021, and Unicorn, where she has been a Community Editor and Writer for the past two years.
For briefs, editing or other enquiries, please
Luckily, the joy of video interviews is that, whether you’ve got a bad back and need to lie down while you’re talking (Hafsa), or you spilled your lunch down your top and are hiding that bit just off camera so your spaghetti stain isn’t on display (guess who – hint: not Hafsa), everyone can get comfortable. We giggle about inclusivity for those with disabilities and those who are just plain clumsy like me, go off on a glorious tangent about RPG boardgames (Hafsa recommends I need to try Blades in the Dark), and then I ask Hafsa for a few final words of wisdom about coming to terms with being fabulously bi.
“Not everyone is gonna like you, and that’s OK. And I feel like this is such a hard lesson to learn, and it’s such a hard thing to accept. But the sooner that you accept it, the sooner you’re free to do whatever the heck you want."
Dances, variations and New Worlds with the RPO, Nowak and Julian Steckel
Bachtrack
It is not often you can say that the conductor’s outfit was as ornate and charming as the billed programme, but the entrance of a silver-coated Grzegorz Nowak proved that even a conductor’s first bow can be the perfect aesthetic prelude to an evening of similarly silvery, charming music.
Segueing from Nowak’s playful entrance into something just as musically beguiling, the programme opened with Borodin’s Polovtsian Dances, an orchestral arrangement of a suite of dances from the composer’s opera Prince Igor. The opening was neat and graceful, light strands of melody overlapping with precision, the first dance gliding along with a delightful absence of gravity.
sandals socks bare boots
i measure the days by shoes
flicking past my feet
calendar toes
turn the page and
garden home bath funeral
tongues soles flapping
thirsty for superglue
something that sticks
and does not keep
moving and breaking
and wearing down
roulette again
outside inside
black red straight street
even pair odd socks
fingers crossed
still coming up zero
Writing, editing and
proof-reading, specialising in articles, interviews, poetry and copy
Creating concepts and bringing them to life,
for art performance, multimedia and business
Presenting, facilitation
and public speaking,
live or recorded,
in person or virtually
Email: info@madelainejones.co.uk
Copyright @ Madelaine Jones 2023